cameras
- Panasonic HDX900
- Panasonic HVX200
- Sony D30 WS with DSR1 recorder
- Panasonic Af100
- Sony PMW F3
- Prime lens, 25mm, 35mm, 85mm
audio
- Sennheiser Shotgun ME 80, Sennheiser MKH 60 Shotgun
- Two 6ft ENG Boom (fish poles)
- Two handheld Beyerdynamic M-58
- Two Lectrosonic wireless systems
- Two Tram Lavalier microphones, one countryman (wired)
- Sure FP 33a field mixer, PCM 4 channel audio field mixer with confidence cables
monitors
- Panasonic LH900A 8.4
inch LCD HD monitor - Panasonic 15inch HD
studio/field monitor
lighting
- ARRI 650/300 Fresnel combo kit (two 650 and 300 fresnel lights and two C-stands)
- Two LTM Pepper Packs (two 300 fresnel, one 650 fresnel with chimera and one 400 soft)
- Necessary stands, gels, flags, scrims, patterns included in all kits
- Two 2×2 led light panels
post production
- Final Cut Pro 6.0
- Photoshop CS4
- Adobe After Effects CS4
- Mac Book Pro on-site editing
- Power Mac in-studio editing
- Blue Ray Authoring
other
- Grip accessories, C-STANDS, cables
- Panasonic Digital 6 channel video switcher
- Sony DVCAM player/recorder and Betacam SP player/recorder
- Portable green screen and various colored back drops
- Vinten 11 Fluid head tripod, Sachtler Video 20 Tripod
- 2 Fujinon Lenses: Wide angle 6.8 x 14, 8 x 17
- 15×15 sq feet studio with permanent green screen
- Teleprompter
Webcasting: Tricaster HD handles up to 6 cameras